Cambridge Audio MXW70 Review: Right Product, Right Time

Price

The Cambridge Audio is available in the UK from August 2025 for £499.95. It is available from the Cambridge Audio website direct and via the nationwide chain of Richer Sounds stores.

In the USA, it can be purchased direct from Cambridge Audio for $599, while in Australia, no price has been given as yet but Cambridge Audio does sell product there so it’s only a matter of time.

As an introductory offer, Cambridge Audio has also dropped the price of the MXN10 streamer; one of the devices that they see you using the MXW70 with, to £349. This makes for a tempting partnership but, as I shall cover, far from the only one that might work.

Design

• A simple grey box (and only grey)
• Solidly built
• Two matching components
• Some slightly odd behavioural quirks

A few years ago, Cambridge Audio decided that it was going to stop making black and silver boxes and instead make a single finish that could bridge the gap between the two.

The result is a distinctive silvery grey that, with the best will in the world, doesn’t quite meet the brief of being as happy with both finishes as it could be but that does look rather smart when used in a stack of Cambridge Audio devices. Cambridge Audio has done limited production runs of other devices in black but there is no indication they will do so here.

The MXW70 itself feels solid and well made though. Cambridge Audio is very proficient at making solid casework and this is no exception. You can argue that £500 is a fair amount of money for a small box but if you pick the MXW70 up, you can start to see where some of the money has gone. There isn’t much out there at similar money that feels as solid as it does.

It also helps that there are not one but two devices that Cambridge Audio already makes that are a visual match for the MXW70. Both the MXN10 network streamer and the DacMagic 200M DAC are capable of acting as preamps and will sit with the MXW70 as a matching stack of components.

I’m sure that at this point, Cambridge Audio is a little annoyed that the Duo phono stage and headphone amp hasn’t been so equipped too.

Some aspects of how the MXW70 works are a bit quirky though. On this sample at least, from the moment power is supplied to the unit the white light on the power button glows and it glows with the same intensity whether the amp is on or off. Disconnect the power and this light glows for a disconcertingly long time afterwards.

You get used to it but it could be a little more reassuring. I have also had the review sample put a hum through the speakers when connected to an Eversolo streamer via RCA and when both units are switched off but this hasn’t been the case with other devices tested here.

Specification

• 70 watts of class D power in stereo
• … and 250 watts in mono
• Balanced and unbalanced inputs
• Just add a volume control

The engine room of the Cambridge Audio is a usefully substantial device. It’s a Hypex NCORE Class D module and it’s capable of very decent performance. It isn’t the first time that Cambridge Audio has made use of it either.

Effectively, it takes the amplification from the Evo 75 (where, for reasons unknown, it seems to be good for an extra 5 watts) all in one system and repurposes it.  Cambridge Audio is keen to stress that both the Evo 75 and MXW70 are not simply off the shelf modules in a box and make use of a bespoke output stage that more closely follows Cambridge Audio design practise.

Power is quoted at 70 watts into 8 ohms which should be enough for most requirements but, if you are sat reading this thinking it sounds a bit feeble, you can bridge the MXW70 which means that it becomes a single channel amplifier (that is to say, you’ll need two of them for a stereo system) and avail yourself of 250 watts into 8 ohms which should be enough for pretty much any sane domestic requirement.

Connectivity on the MXW70 is simple but effective. It offers both RCA and XLR inputs on the rear panel and makes power available to a single set of binding posts. Everything on the back panels looks and feels like it’s come from the CX range of components which is no bad thing as they feel every bit as solid here as they do there and while the back panel is busy, it’s logically arranged.

The presence of balanced inputs something you don’t see very much at this price point but it’s a welcome addition as it does offer the scope for higher potential performance with suitably equipped partnering devices.

And, here’s the thing. There are loads of potential partnering devices. Cambridge Audio would obviously prefer you to keep things in house but, if you own a WiiM Ultra, a Bluesound Node (or Node ICON), an Eversolo streamer or one of the various iFi Audio DAC preamps, the MXW70 is going to strut its stuff with all of them.

Then, there are the full size CXN100 and EXN100 streamers from Cambridge Audio which would also work with one or two MXW70s very happily.

On a completely different note, do you own an AV Receiver that can decode more channels than it has on board? The MXW70 is going to be every bit as useful there too. As noted, the Cambridge Audio ‘only’ does one thing but there are a great many potential applications for it.

Performance

• Genuinely sounds like a Cambridge Audio product
• Able to handle some very demanding speakers
• Sensitive input helps gain
• Perfectly happy outside a Cambridge Audio system

When you read in the press notes that Cambridge Audio has tuned the output of the MXW70 to sound more like a Cambridge Audio product, it’s a statement you have to take at face value. I could take the lid off and peer intently at the circuit but I’m not going to know for sure if that is what I see is attached to every NCore amplifier or not really.

The thing is though, to listen to the MXW70 with an Edge A integrated amplifier, also made by Cambridge Audio (which works on completely different principles and has totally different parts inside it), there are genuine similarities between the two devices.

Listen to the dynamic and gently euphoric live version of Tour De France by Kraftwerk on their Minimum Maximum album and the MXW70 does a wonderful job of capturing the driving energy of the track. It’s a big, confident and spacious sound that does justice to the huge arena and the delighted audience.

It’s tonally convincing too. The opening Friends Between Us on A Certain Ratio’s ACR Loco album is a gorgeous recording, packed full of natural instruments and vocals. The MXW70 ensures that everything sounds rich, real and believable. There are precious few clues about the topology of the Cambridge Audio to listen to it. There are points where the performance is almost warm but it’s warm without losing the bite and drive the track needs once the track livens up.

There’s no shortage of grunt too. I kicked off using the MXW70 with a pair of Q Acoustics 5020 standmount speakers that I keep on hand for devices like this. The results were so effortless that I quickly substituted a pair of Neat Petite Classic speakers at four times the price of the Cambridge Audio and it was still able to delight.

Intrigued, I then attached a pair of Kudos Titan 505 speakers at a brisk eighteen times the price. Was the result the best I’ve ever heard these speakers sound? No… but it was far, far better than I thought it was going to be. Even before you look at the bridging option, the MXW70 has the scope to handle speakers that are far more demanding than the £500 price tag might suggest it can.

There’s another little detail in the Cambridge Audio’s specification that helps this too. The inputs (both XLR and RCA) are usefully sensitive and this means that the 70 watts of power goes an awfully long way. Unless you have a barn to fill and speakers made of granite, the MXW70 is going to drive them effortlessly well and give you levels of headroom that some devices with notionally more power can struggle to deliver connected to the same source.

And, so be clear, in the course of testing, I used multiple sources and MXW70 did what it did across all of them. Partnering it with the MXN10 is – as Cambridge Audio might hope – an excellent partnership… but quite a limited one. The MXN10 has no other digital inputs or extra connectivity which means it’s a great sounding partnership but not a hugely flexible one.

Using Bluesound’s formidable Node Icon, which has inputs for days, the resulting combination is incredibly versatile and would work in a huge variety of situations. A huge selection of audio equipment in 2025 is equipped to run as a preamp and the MXW70 is primed and ready to work with all of it.  

Should you buy it?